JUNE
the blog of JUNE
JUNE
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Eno and Schmidt created a series of art instructions — an underappreciated art genre unto itself — titled Oblique Strategies. The project consisted of a set of 115 white cards with simple black text in a deck subtitled Over One Hundred Worthwhile Dilemmas. Though a conceptual art project, the cards were essentially a practical tool for generating ideas, breaking through creative block, and breaking free of stale thought patterns. Source

Eno and Schmidt created a series of art instructions — an underappreciated art genre unto itself — titled Oblique Strategies. The project consisted of a set of 115 white cards with simple black text in a deck subtitled Over One Hundred Worthwhile Dilemmas. Though a conceptual art project, the cards were essentially a practical tool for generating ideas, breaking through creative block, and breaking free of stale thought patterns. Source

Eno and Schmidt created a series of art instructions — an underappreciated art genre unto itself — titled Oblique Strategies. The project consisted of a set of 115 white cards with simple black text in a deck subtitled Over One Hundred Worthwhile Dilemmas. Though a conceptual art project, the cards were essentially a practical tool for generating ideas, breaking through creative block, and breaking free of stale thought patterns. Source

Eno and Schmidt created a series of art instructions — an underappreciated art genre unto itself — titled Oblique Strategies. The project consisted of a set of 115 white cards with simple black text in a deck subtitled Over One Hundred Worthwhile Dilemmas. Though a conceptual art project, the cards were essentially a practical tool for generating ideas, breaking through creative block, and breaking free of stale thought patterns. Source

Eno and Schmidt created a series of art instructions — an underappreciated art genre unto itself — titled Oblique Strategies. The project consisted of a set of 115 white cards with simple black text in a deck subtitled Over One Hundred Worthwhile Dilemmas. Though a conceptual art project, the cards were essentially a practical tool for generating ideas, breaking through creative block, and breaking free of stale thought patterns. Source
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superseventies:

The Ike & Tina Turner Revue 
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fredtorresgallery:

"not my cunt on my dime mister" by courtney love.  fred torres collaborations
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jepalicious:

Courtney Love photographed by Mario Testino, 2009.
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fredtorresgallery:

Courtney Love original artworks available from Fred Torres.  
fredtorresgallery:

Courtney Love original artworks available from Fred Torres.  
fredtorresgallery:

Courtney Love original artworks available from Fred Torres.  
fredtorresgallery:

Courtney Love original artworks available from Fred Torres.  
fredtorresgallery:

Courtney Love original artworks available from Fred Torres.  
fredtorresgallery:

Courtney Love original artworks available from Fred Torres.  
fredtorresgallery:

Courtney Love original artworks available from Fred Torres.  
fredtorresgallery:

Courtney Love original artworks available from Fred Torres.